Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code (part 2)

Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code Part 2

Despite being merely a rehash of a discredited thesis, The Da Vinci Code has stayed atop the New York Times bestseller list for months. In addition, Sony Pictures has acquired the rights to the book and hasrecruited director Ron Howard to work on the film. Ironically, were the book about any other subject, it isunlikely that it would have become a bestseller on the basis of academic merit and certainly would nothave become one on the basis of literary merit. The Da Vinci Code is best described as a historical/technological fiction thriller, the sort of energetic composition that makes for excellent reading on asummer vacation but does not satisfy those seeking in-depth plot and character development.

The Da Vinci Code : The story begins with the murder of a French museum curator, who was the guardian of a secret cache ofdocuments held in the tomb of Mary Magdalene. The latter is alleged to have been the wife of Jesus andthe true heiress to the reins of the Christian church, whose intent was to establish a feminist-centerednature religion. The Roman Catholic Church is cast in the role of the primary arch-villain that seeks tosuppress these documents and keep them hidden. Playing the background heroic role is a secretive groupcalled The Priory of Sion, of whom the murdered curator was a leader and Leonardo da Vinci a pastleader. The Priory (monastery) has kept the documents concealed under the pretense that the world as awhole is “not ready” for the startling revelations contained in them.

Much of the novel focuses on symbologist Robert Langdon and cryptographer Sophie Neveu. The two protagonists travel from place to place while solving puzzles left behind by the curator, which lead them to the location of Mary’s tomb. In the end, however, though the tomb is located, it remains unopened, and the documents remain concealed. Brown’s fast-paced novel thereby ends with a disappointing crash into a concrete wall; it promises the uncovering of secrets but never follows through.

Analysis of The Da Vinci Code to be continued… (part 3).

Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code (part 2)

Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code (part 2)

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