Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code – jebidal.com
Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 10
Discussions have appeared in all kinds of media including magazines, newspapers and internet forums, and have involved many different participants, including reviewers as well as readers. A basic search on Google reveals the extent of these discussions. On Amazon there are 3,959 reviews by readers of the novel, and there are countless additional websites on which the novel is discussed, including Dan Brown’s official webpage. Many religious figures have also reacted to the novel on behalf of their organisations, including the Vatican. A variety of articles, books, films and sermons have furthermore been published to counteract or set straight the claims made in The Da Vinci Code, and to engage readers in a dialogue (Budlong, 2006: 165; Gilmour, 2004: 6).
In the course of a few years, several explanations for why The Da Vinci Code has led to so much confusion among readers have been put forward, and although much has been published concerning The Da Vinci Code, virtually all published material has been written for a non-academic audience and published in non-academic magazines, newspapers and websites. It would seem no work on The Da Vinci Code has yet been conducted in the field of Stylistics.
Because of the popularity of the novel, the worldwide debate it caused, and the lack of academic research concerning The Da Vinci Code, I conducted a stylistic analysis of a selection of chapters from the novel to examine whether there could possibly be a correlation between readers’ confusion and the manner in which point of view is constructed in the novel.
In this paper I will argue that the manner in which point of view is constructed in The Da Vinci Code has influenced readers into confusing fact and fiction in The Da Vinci Code. The evidence I will present in support of my thesis will be demonstrated in the analysis section of this paper. First I will outline the methodology used for the analysis, then I will discuss my analysis and findings, and finally I will present my conclusion.
Analysis of The Da Vinci Code to be continued… (part 11).
Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 9
Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 7
Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 5
Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 10
Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 10
Discussions have appeared in all kinds of media including magazines, newspapers and internet forums, and have involved many different participants, including reviewers as well as readers. A basic search on Google reveals the extent of these discussions. On Amazon there are 3,959 reviews by readers of the novel, and there are countless additional websites on which the novel is discussed, including Dan Brown’s official webpage. Many religious figures have also reacted to the novel on behalf of their organisations, including the Vatican. A variety of articles, books, films and sermons have furthermore been published to counteract or set straight the claims made in The Da Vinci Code, and to engage readers in a dialogue (Budlong, 2006: 165; Gilmour, 2004: 6).
In the course of a few years, several explanations for why The Da Vinci Code has led to so much confusion among readers have been put forward, and although much has been published concerning The Da Vinci Code, virtually all published material has been written for a non-academic audience and published in non-academic magazines, newspapers and websites. It would seem no work on The Da Vinci Code has yet been conducted in the field of Stylistics.
Because of the popularity of the novel, the worldwide debate it caused, and the lack of academic research concerning The Da Vinci Code, I conducted a stylistic analysis of a selection of chapters from the novel to examine whether there could possibly be a correlation between readers’ confusion and the manner in which point of view is constructed in the novel.
In this paper I will argue that the manner in which point of view is constructed in The Da Vinci Code has influenced readers into confusing fact and fiction in The Da Vinci Code. The evidence I will present in support of my thesis will be demonstrated in the analysis section of this paper. First I will outline the methodology used for the analysis, then I will discuss my analysis and findings, and finally I will present my conclusion.
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| Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 10 |
Analysis of The Da Vinci Code to be continued… (part 11).
Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 9
Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 7
Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 5
Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 10
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