Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code – jebidal.com
Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 21
In the epilogue of The Da Vinci Code Robert Langdon is back in the Ritz Hotel in Paris. He wakes up with an idea in mind which the reader knows nothing about. At first he cannot believe it might be possible, but he goes out to follow his idea nonetheless and starts walking in specific direction. As he walks he becomes more certain of his idea. More and more excited, he arrives at the Louvre. He goes to the inverted pyramid that hangs over another, smaller pyramid and realizes that the two pyramids represent the Chalice and the Blade, the ancient symbols of female and male. He now realizes he knows the truth and falls to his knees. It is implied that this is the place where Mary Magdalene, the Holy Grail, has been buried.
This epilogue is narrated in Category B Reflector mode. Robert Langdon is again the reflector of the fiction. The shading is mostly negative, with epistemic and perception modalities foregrounded. There is also positive shading in this chapter, because the chapter has many verba sentiendi, which is characteristic of positive shading. Some examples of this in the chapter are “He could feel the air grow cooler”, “he thought he heard a woman’s voice” and “Langdon’s body felt warm and deeply contented” (Brown, 2003: 588; 591; 593). Extra emphasis is placed on Robert Langdon’s feelings. Langdon feels “oddly lucid”; “a growing excitement” and “as if he were crossing into another world” (Brown, 2003: 588; 589; 590).
Analysis of The Da Vinci Code to be continued… (part 22).
Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 20
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Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 16
Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 21
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