Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 13

Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code – jebidal.com
Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 13

I would argue that The Da Vinci Code is narrated in Category B Reflector Negative. Robert Langdon is the character from whose point of view the story is narrated with the exception of the occasional use of other point of view. This makes him the reflector of the fiction according to Simpson’s model.
Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code
3. Analysis and Findings
In Chapter 1, Langdon asks several questions, most of which are foregrounded graphologically by the use of italics: “Where the hell am I?”; “a visitor?”; “Where the hell did she get that?”; “The judicial police?” (Brown, 2003: 21; 23; 25). It is also noticeable that there is a repetition of the phrase “where the hell”, which emphasises the incomprehensible, almost ridiculous situation in which Langdon has apparently just found himself, namely that of being woken up in the middle of the night by the police. Apart from the many questions posed by Langdon in this chapter he also frequently makes statements concerning certainty or uncertainty. At first Langdon assumes that the person has come to visit him it is just another professor who is angry about Langdon’s controversial work, trying “to pick a fight” (Brown, 2003: 22). It is stated that Langdon “had little doubt” that the person who tried to contact him was an important man since he, Robert Langdon, knew he was well-known in the art world: “his books on religious paintings and cult symbology had made him a reluctant celebrity in the art world” (Brown, 2003: 22). It is additionally remarked about Langdon’s grey hair that “although his female colleagues insisted the grey only accentuated his bookish appeal, Robert Langdon knew better”. In these examples about himself and his career, Langdon seems certain. They are all relevant to Langdon’s state of mind concerning himself and his career, and less so about the events taking place at that instant (Brown, 2003: 22; 23; 24). This is important because the description makes him seem a more trustworthy and knowledgeable character, which makes readers more liable to trust him.
Analysis of The Da Vinci Code to be continued… (part 14).



Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 12

Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 10

Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 13

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Point of View in The Da Vinci Code A Stylistic Analysis of The Da Vinci Code part 13

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